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Memory #1 presents a studied arrangement of translucent washes and sinuous contours, wherein layered blues, greens, pinks and creams interpenetrate like sedimentary strata or watercourses. The composition privileges fluidity and negative space, with delicate veining and soft gradients that suggest both geological accretion and mnemonic remanence. Through restrained chromatic modulation and ambiguous, organic forms, the work invites analytical attention to process, depth, and the shifting boundaries between recall and perception.
